The critical gaze. Or: maybe I should practice more.

I’ve been fortunate enough to perform with a corporate events group this last year and recently a video was taken of our show. While there are plenty of things that are good about the show, there’s plenty there that needs work. I’m always thrilled by the performances of others and a little perturbed about my own and the video I watched was no different.

I’m used to hearing my voice but not at a live gig. One of the things I noticed was an ease on stage and a level of stage presence that I’m pretty happy with. I’m not a great mover but at least in this show I look comfortable.

But my voice. Oh dear. Oh shit. I’m going to have to go back to the drawing board. We sing a lot of pop based songs and I’m in no way a pop singer: I’m more of a jazz/country/musical theatre singer. I don’t hate my voice (much) but as usual it sounds very different to how I imagine I’m singing.

One of the main problems I have is that in pop music I’m a real alto. Not as low as my female counterpart in the show, but I thought I was keeping all my vowels bright, wide and forward. NOT THE FRIGGING CASE. My tone sounds like it’s sitting in my cheeks. Fine for classical singing when you’re trying to sound like Maria Callas, but not when you’re pretending to be a rocker from the 80s.

Also, where did all that vibrato come from? It’s not a lovely bright twangy vibrato: it’s a wishy washy OMG did I just lose my core vibrato and warble on the end of my phrases vibrato! Damn. And let’s not talk about frigging intonation. Now, I’m going to forgive myself in a live event where I can’t even hear myself, let alone pitch the notes correctly. But dayum, girl, get the first note right!

I admit, I’ve been coasting. Part of the problem seems to be the ageing voice. When you’re used to carrying a lot of vocal weight from classical singing, to go to a bright pop sound is actually quite difficult. In truth, we all sound like we could use a good clean up. Which is unfair when we’re listening to a live recording.

So I’ve just recorded myself doing a couple of my solos and feel better about them already. I’m a quick study and can work out pretty fast the issues with vocal reproduction, but I really need to practice consistently every day if I’m going to be an attractive soprano and not an elderly caterwauler.

 

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