Today I’m down at my folks’ beach house, in a room of my own. And I’m working. I am sitting at a desk in front of a lovely large window from which I can see green. It’s nice.
Here’s a photo.
Poppy my groodle sits under my feet and I have made good progress on another of my narrative chapters, which should make it easier to shape the discussion chapter. Here’s hoping, at any rate. So, I’ve been aiming for 500 words per day. I had thought to ADD those words, but at this rate, I’ve been EXCISING them from my narratives. This is a good thing, actually. The narratives are holding together better and they are less wordy. I’ve paraphrased quite a bit of the quotes and removed others altogether. And I’ve reshaped the commentary. It hurts, but many times I’ve had to look at the quotes and wonder why they are in there. Do I need it? Does it help? Usually it doesn’t.
So out they go. But with one particularly powerful narrative, the voice of the teacher is so strong and profound I dread to remove the quotes. So I think I might reduce other aspects of the narrative altogether. Fun, fun fun.
Lunch, then back to work. It’s great working at my parent’s beach house. It’s not my house, so I don’t feel bad about how messy it is (that’s my mother’s mess, not mine). I don’t feel the need to clean, except my own grot, and there aren’t other things getting in the way. Everyone is leaving me alone. Perfect. But there are people here and an expectation that I will work. And I am.
Well, ok. I may have spent a few hours reading my fantasy novels – Stephen Donaldson and George RR Martin, you have a LOT to answer for – but their writing is good for me to see. Stephen Donaldson’s writing is rather overwrought. It is grammatically correct, but I’m getting sick of words like demesne and puissance. Just say domain and power, for goodness’ sake. Martin’s writing is fabulous. I hated it at first, thinking his first novel in his series GoT rather crappy fantasy style, but actually, it is amazing. I’m liking his work more and more. I’ve seen the series, hated the rather stereotypical and archetypal characters he had drawn, and REALLY hated the gratuitous sex scenes and nakedness, but now I see how he draws his characters. I GET how he has been inspired by the War of the Roses, and I think – scarily – that he has drawn a frankly barbaric account of the European middle ages. Which I suspect is rather accurate in its barbarity. I love it. And I love the teeny tiny bit of magic he weaves into his stories so that the fantasy element stays alive throughout the many descriptions of battles and political intrigue. And I love his characters. I have the first three books out of 6 he has currently written (book 3 divided into 2 tomes) and I can’t wait to read beyond the Red Wedding because his books give no real indication of how awful Walder Frey really is. The TV series is a wonderful accompaniment to the novels despite the many small changes made to accommodate narrative flow in TV.
Right. So easy for me to stray off the path of good intentions! Back to work I go.